The briefing was clear, by getting the inspiration from the shapes and colors of the two different Korean Flags, and the Korean Unification Flag, the one that eventually is used to represent all of Korea when North and South Korea participate as one team in sporting events, I had to develop my own, based on my own feelings about it.

The briefing was clear, by getting the inspiration from the shapes and colors of the two different Korean Flags, and the Korean Unification Flag, the one that eventually is used to represent all of Korea when North and South Korea participate as one team in sporting events, I had to develop my own, based on my own feelings about it.

The briefing was clear, by getting the inspiration from the shapes and colors of the two different Korean Flags, and the Korean Unification Flag, the one that eventually is used to represent all of Korea when North and South Korea participate as one team in sporting events, I had to develop my own, based on my own feelings about it.

The briefing was clear, by getting the inspiration from the shapes and colors of the two different Korean Flags, and the Korean Unification Flag, the one that eventually is used to participate as one team in sporting events, I had to develop my own, based on my own feelings about it.

The solution to me was to propose a typographic approach to flag design, as I could see that many of the ones designed in 2013 were revolving around the concept of mixing colors and shapes, what I did, but in the shape of letters.
For that, I took a closer look at the main shapes of the two existing flags and extracted the most relevant: the star and the circle. From those, I developed a system to build the 5 letters of KOREA. For the coloring, I used the two different reds and blues that when overlapped create the black, and for the centered single word I used the blue of the unified flag. All those combinations want to be a metaphor of mix, blending, cooperation and comprehension between the North and the South.

The solution to me was to propose a typographic approach to flag design, as I could see that many of the ones designed in 2013 were revolving around the concept of mixing colors and shapes, what I did, but in the shape of letters.
For that, I took a closer look at the main shapes of the two existing flags and extracted the most relevant: the star and the circle. From those, I developed a system to build the 5 letters of KOREA. For the coloring, I used the two different reds and blues that when overlapped create the black, and for the centered single word I used the blue of the unified flag. All those combinations want to be a metaphor of mix, blending, cooperation and comprehension between the North and the South.

The solution to me was to propose a typographic approach to flag design, as I could see that many of the ones designed in 2013 were revolving around the concept of mixing colors and shapes, what I did, but in the shape of letters.
For that, I took a closer look at the main shapes of the two existing flags and extracted the most relevant: the star and the circle. From those, I developed a system to build the 5 letters of KOREA. For the coloring, I used the two different reds and blues that when overlapped create the black, and for the centered single word I used the blue of the unified flag. All those combinations want to be a metaphor of mix, blending, cooperation and comprehension between the North and the South.

The solution to me was to propose a typographic approach to flag design, as I could see that many of the ones designed in 2013 were revolving around the concept of mixing colors and shapes, what I did, but in the shape of letters.
For that, I took a closer look at the main shapes of the two existing flags and extracted the most relevant: the star and the circle. From those, I developed a system to build the 5 letters of KOREA. For the coloring, I used the two different reds and blues that when overlapped create the black, and for the centered single word I used the blue of the unified flag. All those combinations want to be a metaphor of mix, blending, cooperation and comprehension between the North and the South.